Don’t leave me, Les. I’m so scared.’
And now for the first time I heard him answer her.
‘I’m going, Mimi. I’ve made up my mind. And you can’t keep a hold on this body any more, not without me and the others to help you. Come now, with me, or come later, on your own. That’s the only choice you’ve got.’
Another long silence.
Covington appeared in the doorway. ‘We need you,’ he said.
At any other time I might have baulked at the thought of playing two souls at the same time: but I’d just played two hundred and come out of it with my mind intact, so this didn’t feel too hard.
Embarrassingly, though, it was a while before the music would come. I’d flogged my talent pretty hard that night, and the sense of dissociation still hung around me like the wooziness after anaesthesia. Covington had untied Kale’s arms and upper body and they sat together on the bed, his arms protectively around her – or rather Doug’s – shoulders.
At last I ventured a note, and I knew when I heard it that it wasn’t right. I held it anyway, and then modulated down the scale until I locked into something that felt like it was alive and moving.
Covington kissed Myriam Kale on Doug Hunter’s forehead, whispered something that I couldn’t hear over the sound of the whistle, and then slid sideways off the bed. Kale lasted a few moments longer before slumping back onto the pillow, her eyes glazing over before they closed.
Covington’s ghost was just a smudgy blur hovering over his body: maybe that was a side effect of the protective camouflage that the risen dead of Mount Grace had used in the days of their ascendancy – or maybe it was just a side effect of being so damn old, and having slid and elided his way through so many different flesh-houses over the last hundred years.
But Kale was magnificent.