Thicker Than Water

But a good Catholic himself, and he knew better than to throw down with the Pope and his bare-knuckled posse. He bought Matt a suitcase from the secondhand shop and away my brother went without a backward glance. As far as I can remember, we didn’t even say goodbye.

But at least I knew now where Matt had got the balls to fight Kenny Seddon to a standstill: he had God on his side.

So now there was nobody to run interference for me, and no strict reason according to the Walton book of etiquette why Kenny shouldn’t beat me into tenderised steak.

But he bided his time for a good three days after Matt left, waiting for the perfect place and time.

The place was up on the roof of the Metal Box factory - the Tinnie. It was a favourite spot for the gang that summer, now that the owners had finally given up on maintaining any kind of security over the disused site. We’d found a way in by levering out one of the uprights of the back fence and tearing the plywood sheet off a door marked AUTHORISED PERSONNEL ONLY.

With the electricity turned off and all the windows boarded up, the interior of the factory was a three-dimensional maze of absolute darkness. You brought torches, and you stuck together, because on your own in the dark you were fucked. Previous parties had mapped out routes, but you could only find them with a torch. We filed through the cavernous machine shops and silent corridors and scaled the echoing stairs like mountaineers conquering an indoor Annapurna, finally breaking out into the daylight through a hole in the roof underneath which someone had set up a precarious folding ladder dragged in from God knows where.

From the roof - since the whole of Walton is built on the side of a hill and we were close to the top of it - you could see the city set out below you. You could also swing on the flagpole over an eighty-foot drop, and collect metal offcuts which for some reason lay around the place like forgotten treasure. They were the pieces left behind when steel sheets were pressed out into box templates, and they came in a range of intriguing shapes: some like capital letter Es, others in the form of triangles (always right-angled) or diamonds with one vertex shaved off flat.

They were all about two millimetres thick, and they were highly collectible because of their lethal sharpness and their resemblance to the shurikens we’d all seen or at least heard about in Enter the Dragon.